現代詩「景」的符號-經驗、記憶、時間、空間 作者:陳惠英(香港嶺南大學中文系)

卷期：47卷第2期
日期：2002年10月
頁碼：105-120
DOI：10.6210/JNTNULL.2002.47(2).02

摘要：

有關詩「景」，常與「境」相涉，且有「虛」和「實」的分別，又常與「境界」一同討論。論者以為「景」與詩「境」的「虛」與「實」，並非各不相干而是相互依存的。饒宗頤(1916- )、蕭遙天、葉嘉瑩(1924- )等人分別就相關問題，提出不少有價值的見解。現代詩亦有不少以「景」入詩的作品。本論文引述上列論者的若干說法，參以段義孚就「感知」的解釋，以「景」符號化的具體特性為貫串脈絡的討論，深入探討現代詩「景」及詩「境」與「境界」的關係。

關鍵詞：空間　記憶　時間　景　經驗

《詳全文》

The Sign of Jing 景 in Modern Chinese Poetry: Experience, Memory, Time and Space Author: Wai-ying Chan(Department of Chinese,Lingnan University)

Vol.&No.：Vol. 47, No.2
Date：October 2002
Pages：105-120
DOI：10.6210/JNTNULL.2002.47(2).02

Abstract：

Jing景is an important element in Chinese poetry which has been, explicitly or implicitly, a focus of discussion among literary critics. Despite or perhaps because of its "transcendental" implications, this term has mainly been explored in classical Chinese poetry; its use in modern Chinese poetry has seldom been analyzed. The present essay attempts to utilize the literary interpretations of Jing and Jingjie 境界of Jao Tsung-i 饒宗頤(1916- ), Xiao Yao-tian蕭遙天 and Ye Jia-ying葉嘉瑩(1924- ), with reference also to the ideas of Tuan Yi-fu 段義孚, in order to discuss the sign of Jing via semiotic theory, according to which every interpretation relies upon the relationship between the sign and the meaning of itself.

Keywords：Space　Memory　Time　Experience　Jing